{"id":3692,"date":"2011-02-08T12:01:16","date_gmt":"2011-02-08T15:01:16","guid":{"rendered":"http:\/\/pandc.10z.com.ar\/?p=3692"},"modified":"2011-02-08T12:01:16","modified_gmt":"2011-02-08T15:01:16","slug":"astor-piazzolla-octeto-buenos-aires-%e2%80%93-tango-moderno-1957","status":"publish","type":"post","link":"https:\/\/pandc.10z.com.ar\/?p=3692","title":{"rendered":"Astor Piazzolla &#038; Octeto Buenos Aires \u2013 Tango Moderno (1957)"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/pandc.10z.com.ar\/wp-content\/img\/tangomodernofront.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/pandc.10z.com.ar\/wp-content\/img\/tangomodernofront.jpg\" alt=\"\" width=\"400\" height=\"400\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/pandc.10z.com.ar\/wp-content\/img\/tangomodernoocteto.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/pandc.10z.com.ar\/wp-content\/img\/tangomodernoocteto.jpg\" alt=\"\" width=\"400\" height=\"253\" \/><\/a><\/p>\n<p style=\"text-align: left;\">Como hemos dicho, cuando <strong>Astor Piazzolla<\/strong> vuelve a la Argentina\u00a0 forma un conjunto, el <strong>Octeto Buenos Aires<\/strong>, que es el inicio de la era del nuevo tango. Con una formaci\u00f3n de dos bandoneones, dos violines, contrabajo, cello, piano y guitarra el\u00e9ctrica, produce innovaciones compositivas e interpretativas que van produciendo una ruptura con el tango tradicional.\u00a0 Este es el segundo de los dos discos que <strong>Piazzolla <\/strong>hizo con el <strong>Octeto<\/strong> que, que s\u00ed tuvo reedici\u00f3n en CD, en 1996.<\/p>\n<p>Quiero destacar las demoledoras versiones de <em>\u201cLos Mareados\u201d<\/em> y <em>\u201cA fuego lento\u201d<\/em>, adem\u00e1s de apuntar las rarezas <em>\u201cAnon\u00e9\u201d<\/em> (<em>\u201cEscucho\u201d<\/em>, en japon\u00e9s), compuesto por <em>Hugo Baralis<\/em> en su visita a Jap\u00f3n y <em>\u201cTangology\u201d <\/em>una pieza muy emparentada con el jazz que permite la improvisaci\u00f3n del resto de los m\u00fasicos sobre la base de la guitarra.<\/p>\n<p><strong>M\u00fasicos:<\/strong><br \/>\n<strong>Astor Piazzolla: <\/strong>bandone\u00f3n, arreglos, direcci\u00f3n<br \/>\n<strong>Enrique Mario Francini: <\/strong> viol\u00edn<br \/>\n<strong>Atilio Stampone: <\/strong> piano<br \/>\n<strong>Leopoldo Federico: <\/strong>bandone\u00f3n<br \/>\n<strong>Hugo Baralis: <\/strong> viol\u00edn<br \/>\n<strong>Horacio Malvicino:<\/strong> guitarra el\u00e9ctrica<br \/>\n<strong>Jos\u00e9 Bragato:<\/strong> violoncello<br \/>\n<strong>Juan Vasallo:<\/strong> bajo<\/p>\n<p><strong>Tracklist:<\/strong><\/p>\n<p>01. Hayde\u00e9<br \/>\n<em>(H\u00e9ctor Gran\u00e9)<\/em><br \/>\n02. Marr\u00f3n y azul<br \/>\n<em>(Astor Piazzolla)<\/em><br \/>\n03. Los mareados<br \/>\n<em>(Juan Carlos Cobi\u00e1n &#8211; Enrique Cad\u00edcamo)<\/em><br \/>\n04. Neotango<br \/>\n<em>(Leopoldo Federico &#8211; Manuel Flores)<\/em><br \/>\n05. El marne<br \/>\n<em>(Eduardo Arolas)<\/em><br \/>\n06. Anon\u00e9<br \/>\n<em>(Hugo Baralis)<\/em><br \/>\n07. El entrerriano<br \/>\n<em>(Rosendo Mendiz\u00e1bal)<\/em><br \/>\n08. Tangology<br \/>\n<em>(Horacio Marvicino)<\/em><br \/>\n09. Arrabal<br \/>\n<em>(Jos\u00e9 Pascual)<\/em><br \/>\n10. A fuego lento<br \/>\n<em>(Horacio Salg\u00e1n)<\/em><\/p>\n<p>***<\/p>\n<p><a href=\"http:\/\/www.megaupload.com\/?d=2WOZB6TZ\"><strong>Aqu\u00ed<\/strong><\/a><\/p>\n<p>***<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Como hemos dicho, cuando Astor Piazzolla vuelve a la Argentina\u00a0 forma un conjunto, el Octeto Buenos Aires, que es el inicio de la era del nuevo tango. Con una formaci\u00f3n de dos bandoneones, dos violines, contrabajo, cello, piano y guitarra el\u00e9ctrica, produce innovaciones compositivas e interpretativas que van produciendo una ruptura con el tango tradicional.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[389,159,15],"class_list":["post-3692","post","type-post","status-publish","format-standard","hentry","category-astor-piazzolla","tag-argentina","tag-instrumental","tag-tango"],"_links":{"self":[{"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/3692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3692"}],"version-history":[{"count":0,"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/3692\/revisions"}],"wp:attachment":[{"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pandc.10z.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}